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	<title>four seas</title>
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	<pubDate>Sat, 16 May 2020 16:01:35 +0000</pubDate>
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		<title>Home Page</title>
				
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		<pubDate>Sun, 10 May 2020 19:57:26 +0000</pubDate>

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		<title>my island</title>
				
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Hy-Brazil––Marilina FanouAn island full of black magic rabbits.An island full of gold and ageless people.An island full of fog.Or an island that never existed.The mythical island of Hy-Brazil, is reborn from the Irish myths and the maps of the 14th century.


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The modular island––Georgia PapalexandriThe three Moires have observed the rapid changes in the natural environment and the morphology of the islands caused by the humans. Humans have in many ways mocked the gods and felt superior to the forces of nature, so now they have been given a chance to create their own land, without having to spoil the natural state of the islands. Using the triangular module they’ ve been given, they can construct artificial isles and islands of any width and height, according to their desires.


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TOL, no specific location (brain)––Yannis Bessasfictional languages1. Na’vi spono2. Dothraki qile3. Elvish (tol)tolisland, isletol noun "island, isle" (rising with sheer sides from the sea or from the river, SA:tol, VT47:26). In early "Qenya", the word was defined as "island, any rise standing alone in water, plain of green, etc." (LT1:269). The stem is toll-; the Etymologies as published in LR gives the pl. "tolle" (TOL2), but this is a misreading for tolli (see VT46:19 and compare LT1:85). The primitive form of tol is variously cited as ¤tolla (VT47:26) and ¤tollo (TOL2).lónaisland, remote land difficult to reach



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Pacoya islands, Kalymnos, GR––Vaso AidonidouThe amphibious sea tribes, living by cultivating fish, produce, oysters, sea sponges and by taming the indigenous flora and fauna, create an escalating network of “islands” that helps them manage and mold the natural coastal form. The sea life -and therefore their life- depends on the structure that attracts and breeds the local species.



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Volcisle––Foteini StamouliGreece is a country that has been formed by several natural phenomena, the rash of earthquakes and volcanic eruptions that have created a number of dramatic landscapes worth exploring.Volcisle is an island created exclusively by continuous volcanic eruptions that form the shape of the island nonstop. Due to the natural inability to be inhabited, people have decided to build a technical platform with rectangular proportions above the island’s area and place all social and economical activities on it.


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Chomolungma 8848, Everest––Miriam GeorgakopoulouThe sea level has risen. Only Chomolungma (highest peak of 2020 Himalayas) remains above water. The sea is overwhelmed with plastic waste, some of which is being beached off the coast. The neo-primitive tribes who live on Chomolungma use the cast up waste to construct their civilisation, using state of the art technological inheritance of sunk humanity.


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Destroy your Island board game––Tamara Arroniz Marín, José Aguilar MartínezNowadays, when we think of an island, we think in a vacation place or a place to go party, only few people can think about an island in the way of a place where you want to live or in their natural surroundings, as happen in Mikonos or Ibiza, where native people escape and their natural environments are being destroyed.The game, through questions and challenges, tries to teach us how we are destroying an ecosystem as unique and precious as our islands are.

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Faces like landscapes––Maria VourloumiAlthough only nine kilometers, the island of Schinoussa contains a full world in itself. It is located in the middle of the Aegean and is part of the Lesser Cyclades, a group of islets south-east Naxos. This tiny island is not only made of beaches and hills, of reefs and bottomless waters. It is also made of people who represent its precious landscape. The lives of all these elderly people have etched countless maps on their faces, in their eyes, among the deep as well as eloquent lines carved on their figures. Just like the sea that surrounds them, these faces have been acquainted for long with personal storms and smooth moments, with gloomy farewells and cheerfully homecomings, with wild winters and bright sun-blessed summers.


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Wonder Island––Stefania VoulgariThe wonder island is floating. Its texture is of pumice stone, which has therapeutic properties. So the island has this character of therapy. Anyone who walks on it will be cured of any problem he has. The island has no fixed base but with the help of the wind it travels to many places to help those in need.


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A (very) tropical island––Elina ThermoyanniThis island is the result of a combination of islands from all over the world. Five points/countries from the whole world have been selected and as a result we have a creation of a unique island. The result is a multi-climate land that is similar to tropical.Different types of climate can be experienced because of the island’s weather condition. As a result the visitor has to be prepared to deal with extreme situations, as it could be raining in point A while in point B, not far away, it could be extremely hot.One can observe diversity in other elements of the island like the vegetation and the soil, while the altimeter present alterations between the different parts of the island.The island represents unity as it combines many different living conditions together and therefore shows how beauty can be found in the uniqueness of all the parts that make up this world.


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A Floating Organism––Zografia ZaraveliInfluenced by the work of Kiyonori Kikutake my Marine City My Island is an alternative ocean life-changing solution to issues of density and functionality. Its boundaries are not defined as by a central construction, its structure is multiplied and divided according to the needs and population of the inhabitants. The basic structure is placed close to the shore of the densely populated area, develops as an organism and spreads across the ocean surface.


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Starfish Island––Natalia PapageorgiouRight in the heart of Calypso Deep, located in the Hellenic Trench, Ionian Sea south-west of Pylos, Greece, which is the deepest part of the Mediterranean Sea, with a maximum depth of 5,267m (17,280 ft), at 36°34′N 21°8′E.An island right out from a fairy tale. With a shape that reminds a starfish and a big kind of lake in the center of it. With a pink shaded terrain and turquoise waters. With rare flora in tones of pink, orange and yellow, and a rich underwater life with tropical fauna and corals. With sandy beaches and jungles. With waterfalls and oasis. A dream island that everyone has dreamed of as a child.

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Palimpsest
Elias Tsoutsanis

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	</item>
		
		
	<item>
		<title>about</title>
				
		<link>https://fourseas.cargo.site/about</link>

		<pubDate>Sat, 16 May 2020 15:58:52 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/about</guid>

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&#60;img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/267d4cf9b5e3cdb7a1544359f71a4bce0da6e2a703ed42523f5df23fa7bf4532/petroskoublis_seva.jpg" data-mid="71262689" border="0"  src="https://freight.cargo.site/w/1000/i/267d4cf9b5e3cdb7a1544359f71a4bce0da6e2a703ed42523f5df23fa7bf4532/petroskoublis_seva.jpg" /&#62;

© Petros Koublis, Seva




Four Seas
4th year Architectural Design Option Studio, FW 2019-20
Coastal Domains Design ResearchDepartment of Architecture, University of Patras - GR

During fall semester 2019-20, Four Seas was the sixth architectural design option studio of the Coastal Domains interdisciplinary, independent design research at the Department of Architecture of the University of Patras (DoAUP). Since 2016 and through a multitude of case studies on targeted coastal territorial contexts, the initiative explores, records, assesses, and envisions sustainable futures for the North-eastern Mediterranean coastal territories. Coastal Domains aims to study the Coastal Landscape as a critical subject of architecture. The activities of the Coastal Domains initiative are grounded in a rigorous and extensive territorial analysis of specific geographical contexts, focusing on complex forms and means of representation. The www.coastaldomains.org online platform is an archive and networking tool to consolidate, link and make public academic research and activities, design projects, references and data.


Contact
katsota@upatras.gr


Studio Instructor, Design Research Initiator &#38;amp; Head
Demetra Katsota AADipl MArch(Harvard) RIBAProfessor of Architectural DesignDoAUP


Regular Critic
Constantinos Petrakos, architect DiplArch March


Teaching Assistant &#38;amp; Platform Coordinator
Athina Xenouli, Diploma studentDoAUP


Invited Critics
Giannis Giannoutsos, Eleni Papanastasiou, Alexandra Stratou, Athanassius ZagorisiosArchitects, Instructors DoAUP


Researchers

José Aguilar Martínez
Born in Cartagena, Spain. Architecture student, currently based in Patras on an Erasmus exchange programme at the DoAUP. Jose’s research interests include 3D printing applications on architecture and art, the relationship between housing and gravity, and 3D design.


Vaso Aidonidou
Born in Athens, GR and raised in Patras. Currently studying Architecture at the University of Patras. Attended several architectural workshops and lectures including Ελ/Le Corbusier and re-culture2. Vaso is interested in the relation of architecture with the minor subcultures.


Tamara Arroniz Marín
Born in Murcia, south Spain. Architecture student at the University of Cartagena. Interested in arts and sustainable architecture, but also in “less is more” as a way of life and design.


Yannis Bessas
Born in Athens, but originally from Alexandroupolis, GR. Currently studying architecture at the University of Patras. Erasmus+ student during the academic year 2018-19. Yannis is interested in urban planning and design, with a predilection for utopian landscapes and fictional worlds. Keen sketcher.


Marilina Fanou
Born and raised in Athens, GR. Currently studying architecture at the University of Patras Interested in sustainable development, interior design and history of architecture. Believer that architecture is a redefinition of daily life.


Miriam Georgakopoulou
Born and raised in Athens, GR. Currently studying Architecture at the University of Patras. Likes experimenting with techniques, ideas and learning from mistakes.Marousa Nektaria Korontzi

Born in Athens Greece and basically raised in Strezova village. Currently studying in Patras
School of Architecture. Interested in scenography, contrasts in architecture as well as in

mystery and ethics around it.



Natalia Papageorgiou
Born in Marousi, Attica and raised in Saronida, a coastal suburb of Athens. Currently studying Architecture at the University of Patras. Interested in fine arts, such as drawing, painting and graphic arts. Speaks Greek, English, German and Turkish.


Georgia Papalexandri
Born and raised in Athens, GR. Georgia is an architecture student at the University of Patras, interested in architecture in extreme environments and conditions. In particular, she would like to study this subject both in terms of habitats in extreme climates and territories but also in relation to humanitarian missions for the betterment of people’s lives. Georgia enjoys experimenting with the use of colour in drawing.


Foteini Stamouli
Born and raised in Athens, GR. Currently studying Architecture at the University of Patras. Foteini has gained work experience in landscape architecture and urban planning.


Elina Thermoyanni
Born and raised in Athens, GR. Currently studying architecture at the University of Patras. Interested in interior design and sustainable architecture.
Elias TsoutsanisBorn and raised in Patras, GR. Currently studying in Patras School of Architecture.
Interested in virtual game design, interior design and residential architecture.



Stefania Voulgari
Born in Patras, GR. Currently studying Architecture at the University of Patras. Stephania is interested in interior design and experimenting with new ways of illustration. Speaks Greek, English and French.


Maria Vourloumi
Born in Athens, GR and raised in Patras. Currently studying Architecture at the University of Patras. Interested in arts and volunteering. Maria is interested in landscape architecture, architecture in extreme environments and the practice of mapping. Maria believes that architecture can improve people's lives.


Zografia Zaraveli
Born and raised in the island of Zante, GR. Currently studying Architecture at the University of Patras. Interested in the architecture of the interiors and the search for new spatial dimensions. Zografia has a particular interest in craftsmanship and in the potentials of creative modelling.





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	<item>
		<title>Merlera</title>
				
		<link>https://fourseas.cargo.site/Merlera</link>

		<pubDate>Sat, 16 May 2020 15:59:47 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/Merlera</guid>

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Merlera–––Marilina Fanou, Natalia PapageorgiouWaste saturation is not only a common sight but also a common paragon of the modern life. Humans have transformed themselves into a waste production machinery even in places where the population doesn’t thrive. Garbage has a very unidentified circle of life which is connected with environmental and social destruction. It seems like there is no suitable place for them neither on our archipelago nor our planet. But what if they had a purpose? From unwanted burden to a necessary raw material for an independent and clean energy program. What if they were needed for our well-being?Energy produced from waste.Cultivation thriving through compost.Employment makes advances in community’s economy.Environmental education.Nature meets industry.



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	<item>
		<title>Scopelitis</title>
				
		<link>https://fourseas.cargo.site/Scopelitis</link>

		<pubDate>Sat, 16 May 2020 15:59:44 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/Scopelitis</guid>

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Scopelitis–––Georgia Papalexandri, Maria VourloumiThe notion of home is something vague, for some home is a structure where they live and cater their basic needs, for others home can even be a person. However, for the people of Lesser Cyclades home is the sea; home is Skopelitis and its people.Skopelitis is an iconic family owned boat, that has been connecting the main islands of Naxos and Amorgos with the Lesser Cyclades since 1965. This consistent daily route is of outmost importance for the people of these islands, since it’s the only way of getting to the administrations center and the hospital in the island of Naxos, of supplying them with basic consumer goods and parcels and even for their children to be able to go to high school.For three generations; and a total of ten wooden boats and iron vessels, Skopelitis has tamed the waves with incredible bravery even during the heaviest seas. All this evolution is leading to the current state of Express Skopelitis, a 45m. awarded boat with a capacity of 340 passengers and 11 cars.Taking this exact ship, gave us the opportunity by just changing its cell and inner layout to facilitate the journey and the informal needs of a modern day ''Arc''. To be more precise our intention was to create the Skopelitis of tomorrow, in the first place a ‘home’ for all the people of Lesser Cyclades to be able to lead better lives and to have a place to unite and celebrate life. A lifeline for a better future.


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	<item>
		<title>9076</title>
				
		<link>https://fourseas.cargo.site/9076</link>

		<pubDate>Sat, 16 May 2020 15:54:45 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/9076</guid>

		<description>


9076–––Vaso Aidonidou, Miriam Georgakopoulou9076 - The sea level has risen gradually by 80 meters and Lesser Cyclades have almost sunk. Every establishment that was no longer sufficient has been rebuilt on floating platforms and all the other buildings and settlements remain underwater. In order to preserve the culture, history and important documentation of Lesser Cyclades, buildings or sites of interest have become enclosed into waterproof glass cases. Remotely controllable enclosed facilities are not accessible, while cases that contain buildings worth visiting are accessible from a floating platform-port and from each other through underwater tunnels connecting them. The remotely controlled cases preserve useful information and documents, while the accessible ones contain livable and frequently visited content.



&#60;img width="2400" height="1055" width_o="2400" height_o="1055" data-src="https://freight.cargo.site/t/original/i/5840b1365b8327b72176e967f05e9cc0ea3887660aa3bb4342215544bfc89fa6/1.gif" data-mid="72794642" border="0"  src="https://freight.cargo.site/w/1000/i/5840b1365b8327b72176e967f05e9cc0ea3887660aa3bb4342215544bfc89fa6/1.gif" /&#62;

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&#60;img width="905" height="4201" width_o="905" height_o="4201" data-src="https://freight.cargo.site/t/original/i/a69c1a44d3a7cef92f7c2b3486e0d058b573a730bbb2556f4ec1c9e5a957c08c/3_905.jpg" data-mid="72794644" border="0"  src="https://freight.cargo.site/w/905/i/a69c1a44d3a7cef92f7c2b3486e0d058b573a730bbb2556f4ec1c9e5a957c08c/3_905.jpg" /&#62;

&#60;img width="1000" height="706" width_o="1000" height_o="706" data-src="https://freight.cargo.site/t/original/i/4c85ec61e5682117e843048d7fc6081ccb0df57b545618777d6bdb085fe27e80/4_1000.jpg" data-mid="72794645" border="0"  src="https://freight.cargo.site/w/1000/i/4c85ec61e5682117e843048d7fc6081ccb0df57b545618777d6bdb085fe27e80/4_1000.jpg" /&#62;&#60;img width="1700" height="686" width_o="1700" height_o="686" data-src="https://freight.cargo.site/t/original/i/6318ff08dfc6f8637218015929c86bb283e71d3581aea9bde9b5d79ddbcd67f2/7_1700.jpg" data-mid="72794650" border="0"  src="https://freight.cargo.site/w/1000/i/6318ff08dfc6f8637218015929c86bb283e71d3581aea9bde9b5d79ddbcd67f2/7_1700.jpg" /&#62;

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&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/392cdea25c36a9dabd9958cd2a6e23dd75d4d276372fa7c5581597fd81fc7869/9_1400.jpg" data-mid="72794656" border="0"  src="https://freight.cargo.site/w/1000/i/392cdea25c36a9dabd9958cd2a6e23dd75d4d276372fa7c5581597fd81fc7869/9_1400.jpg" /&#62;

&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/081942593e0a2b172ff07f919842c6038024e4918d42eb7ef938d887ba1d7a13/10_1400.jpg" data-mid="72794657" border="0"  src="https://freight.cargo.site/w/1000/i/081942593e0a2b172ff07f919842c6038024e4918d42eb7ef938d887ba1d7a13/10_1400.jpg" /&#62;

&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/adc79c9bf28341e40af1062d52b69a47b94b0caf5593b326c0cdc3429b737ee7/11_1400.jpg" data-mid="72794658" border="0"  src="https://freight.cargo.site/w/1000/i/adc79c9bf28341e40af1062d52b69a47b94b0caf5593b326c0cdc3429b737ee7/11_1400.jpg" /&#62;

&#60;img width="905" height="905" width_o="905" height_o="905" data-src="https://freight.cargo.site/t/original/i/799baec3f36b9fdac732a7b873b7e6a40c03719507736b72984e7776dd8bd431/12_905.jpg" data-mid="72794659" border="0"  src="https://freight.cargo.site/w/905/i/799baec3f36b9fdac732a7b873b7e6a40c03719507736b72984e7776dd8bd431/12_905.jpg" /&#62;</description>
		
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	<item>
		<title>Paradise re-discovered</title>
				
		<link>https://fourseas.cargo.site/Paradise-re-discovered</link>

		<pubDate>Sat, 16 May 2020 15:59:49 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/Paradise-re-discovered</guid>

		<description>

Paradise re-discovered–––Tamara Arroniz Marín, José Aguilar MartínezLa Manga became a very popular place for Spanish tourism. It is a privileged place to be, located between two seas that La Manga itself creates, the Mediterranean Sea and the Mar Menor. A project was planned to live in a responsible way this unique and natural environment, but the desire for money and corruption were his death sentence and mass urbanism the crime’s weapon. But it is not too late to return to the paradise that we all remember.The massification of the manga does not allow to appreciate the unique form that the manga has, where from any point you can see the two seas, but now, with the buildings it is difficult to find where the sea is. Eliminating the massive buildings and maintaining the original buildings and those that do not have a great impact on the land, we managed to create a new paradise. But, where do we place all the people in the destroyed buildings?We create a building using recycled materials from the demolitions at the end of the manga, we can restore all displaced people. The other materials resulting from the demolitions will be used to create street furniture such as viewpoints and benches. The project returns to La Manga to its early years, erasing all massive construction that deteriorates the nature and shows the project of Bonet Castellana as he imagined it, a paradise between two seas.old photos:- archivofotograficodelamanga.com- Baldellou, Miguel Ángel (1978), "La obra de Bonet en la arquitectura española", In: La obra de Antonio Bonet, Ediciones Summa, Buenos Aires, pp. 77-130- Fernández Nieto, M. A., "Conciliar vacaciones y paisaje. El sueño de monet Castellana para la Manga del Mar Menor.", in escuelaarquitectura.esold satellite photos: SitMurciaold aerial photos: archivofotograficodelamanga.comoriginal plans for Bonet Castellana Project: Bonet, Antonio, "La Manga del Mar Menor Murcia", In: Arquitectura España Hoteles, issue 121/Nov 1969, pp. 2-14The ProjectThe Bonet Castellana project created a linear tourist city, leaving space to respect the nature of the place. A tower with a shopping center would be built every kilometer and low-rise housing would be built in the intermediate spaces.




&#60;img width="1200" height="328" width_o="1200" height_o="328" data-src="https://freight.cargo.site/t/original/i/04dcbfa12d07586f1419b9c7bbc5c9566995d7b502ac8965315a7476375c2615/1_1200.gif" data-mid="72793932" border="0"  src="https://freight.cargo.site/w/1000/i/04dcbfa12d07586f1419b9c7bbc5c9566995d7b502ac8965315a7476375c2615/1_1200.gif" /&#62;

&#60;img width="1100" height="574" width_o="1100" height_o="574" data-src="https://freight.cargo.site/t/original/i/b99b7324ceef76fd755d86b5c4732c63b6dea76dc304651cc59f16adbc75c5f0/2_1100.gif" data-mid="72793940" border="0"  src="https://freight.cargo.site/w/1000/i/b99b7324ceef76fd755d86b5c4732c63b6dea76dc304651cc59f16adbc75c5f0/2_1100.gif" /&#62;

The ConstructionThe first phase of the project of Bonet Castellana was built, "Los Cubanitos", "The Hexagonal complex", "The Galua Hotel" and "Dos Mares Club". The project was well recognized nationally and internationally. La Manga became a popular place, some movies and advertisements were shot in their buildings.



&#60;img width="905" height="1317" width_o="905" height_o="1317" data-src="https://freight.cargo.site/t/original/i/b805e1d5b6fa6a997891bd82e8099f5c1808ce59cfd246bf9084b909a97e9c04/3_905.gif" data-mid="72793947" border="0"  src="https://freight.cargo.site/w/905/i/b805e1d5b6fa6a997891bd82e8099f5c1808ce59cfd246bf9084b909a97e9c04/3_905.gif" /&#62;

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7ae13de3bd9fece5b73617c5d5cf4c6dca95ba1029c9c18aad2619e7d4ffab8c/4_1200.gif" data-mid="72793954" border="0"  src="https://freight.cargo.site/w/1000/i/7ae13de3bd9fece5b73617c5d5cf4c6dca95ba1029c9c18aad2619e7d4ffab8c/4_1200.gif" /&#62;

&#60;img width="905" height="1350" width_o="905" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ee1324ab079a2368078c1b6a2b654dfe868509cf6e00923389abb5ca4d04057d/5_905.gif" data-mid="72793966" border="0"  src="https://freight.cargo.site/w/905/i/ee1324ab079a2368078c1b6a2b654dfe868509cf6e00923389abb5ca4d04057d/5_905.gif" /&#62;

&#60;img width="1500" height="955" width_o="1500" height_o="955" data-src="https://freight.cargo.site/t/original/i/2d335efb1312d32145b37f34bcfbd4ed53ffef82c70ddeb90963107eead22753/6_1500.gif" data-mid="72793984" border="0"  src="https://freight.cargo.site/w/1000/i/2d335efb1312d32145b37f34bcfbd4ed53ffef82c70ddeb90963107eead22753/6_1500.gif" /&#62;


The EvolutionLa Manga became a popular place, so it began to be massively built, the Bonet Castellana project was forgotten because the original project gave little proffit. Corruption and the desire for money helped create what we have today. All this caused a deterioration of the natural environment, destabilizing the fauna of the area and causing the natural disaster we have now.



&#60;img width="1000" height="1187" width_o="1000" height_o="1187" data-src="https://freight.cargo.site/t/original/i/53a608cf5ca0032b4550021266596b5f350dbf5a1c9fc2fdfee2e73f9bc6fbde/7_1000.jpg" data-mid="72793997" border="0"  src="https://freight.cargo.site/w/1000/i/53a608cf5ca0032b4550021266596b5f350dbf5a1c9fc2fdfee2e73f9bc6fbde/7_1000.jpg" /&#62;

&#60;img width="2000" height="232" width_o="2000" height_o="232" data-src="https://freight.cargo.site/t/original/i/551b1abee1e1ca7ff7fb2197968559f7d8f61509dc1197155dc255e0e117945c/8_2000.jpg" data-mid="72793999" border="0"  src="https://freight.cargo.site/w/1000/i/551b1abee1e1ca7ff7fb2197968559f7d8f61509dc1197155dc255e0e117945c/8_2000.jpg" /&#62;

&#60;img width="1200" height="267" width_o="1200" height_o="267" data-src="https://freight.cargo.site/t/original/i/ec5a41c1c14df465f8ce85ec59bbde7399ce98edf02fed8ba8918b8ca6565ac2/9_1200.gif" data-mid="72794001" border="0"  src="https://freight.cargo.site/w/1000/i/ec5a41c1c14df465f8ce85ec59bbde7399ce98edf02fed8ba8918b8ca6565ac2/9_1200.gif" /&#62;

&#60;img width="1700" height="1700" width_o="1700" height_o="1700" data-src="https://freight.cargo.site/t/original/i/4e7a415b1671a3d5d287590d161300753439cfccb3186ef810637d420157d030/10_1700.jpg" data-mid="72794002" border="0"  src="https://freight.cargo.site/w/1000/i/4e7a415b1671a3d5d287590d161300753439cfccb3186ef810637d420157d030/10_1700.jpg" /&#62;

&#60;img width="1600" height="2263" width_o="1600" height_o="2263" data-src="https://freight.cargo.site/t/original/i/6db979962e83962bab49d9562f023e17b290b8243dbfdf940768058aee12330e/11_1600.jpg" data-mid="72794003" border="0"  src="https://freight.cargo.site/w/1000/i/6db979962e83962bab49d9562f023e17b290b8243dbfdf940768058aee12330e/11_1600.jpg" /&#62;

&#60;img width="905" height="905" width_o="905" height_o="905" data-src="https://freight.cargo.site/t/original/i/21a5d116f7e8c91383c3bb86cce4ae982518ac2bff7cd17b9f9c4def6662e1c4/12_905.jpg" data-mid="72794012" border="0"  src="https://freight.cargo.site/w/905/i/21a5d116f7e8c91383c3bb86cce4ae982518ac2bff7cd17b9f9c4def6662e1c4/12_905.jpg" /&#62;

The (Re)DiscoveryThe project tries to restore the environment of La Manga as it was at the origin, respecting the natural environment, maintaining buildings with architectural value and historical buildings.The idea is based on demolishing the massive buildings, valuing the Bonet Castellana project and regenerating the destroyed natural environment.



&#60;img width="2400" height="1200" width_o="2400" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c2b3b56f98379e0e3fe29a50d3750f9472866db16b7caa52095199d1bc22f175/13_2400.jpg" data-mid="72794018" border="0"  src="https://freight.cargo.site/w/1000/i/c2b3b56f98379e0e3fe29a50d3750f9472866db16b7caa52095199d1bc22f175/13_2400.jpg" /&#62;


&#60;img width="2400" height="1697" width_o="2400" height_o="1697" data-src="https://freight.cargo.site/t/original/i/f1d943b02608393f4f35d5f6df72e5d2da840d35caf32843020d6bb3ca13aa0a/15_2400.jpg" data-mid="72794024" border="0"  src="https://freight.cargo.site/w/1000/i/f1d943b02608393f4f35d5f6df72e5d2da840d35caf32843020d6bb3ca13aa0a/15_2400.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>planitas</title>
				
		<link>https://fourseas.cargo.site/planitas</link>

		<pubDate>Sat, 16 May 2020 15:59:51 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/planitas</guid>

		<description>

planitas–––Yannis BessasSkiathos has an extended tradition in literature with figures like Alexandros Moraitidis and Alexandros Papadiamantis (1851 - 1911). They have been recreating the local landscapes through their novels.according to the writings of Alexandros Papadiamantis, every spot on the island is unique, it is a story of its own. Filled with memories, emotions and natural features.New utopian landscapes are popping up in selected fonissa spots in order to interpret the writings and play along with the words giving a new meaning to the original description and setting up a figurative scenery for the traveller (planitas).Planitas is now becoming part of the narration resurrecting the spots on the island through the eyes of Papadiamantis and writing his own story rather than reading it.Tourism transcripts have a figurative meaning, creating new relations between the mundane touristic ideas and the historical descriptions of Papadiamantis. Thus the proposal focuses on the contemporary types of tourism and how they could be adjusted or adopted on unique historic sites in a literary way.



&#60;img width="905" height="512" width_o="905" height_o="512" data-src="https://freight.cargo.site/t/original/i/811ec9341ee2447119f88c6f84b4407861bdc64c60dcbabd5580f50ae1c34734/1_905.jpg" data-mid="72793381" border="0"  src="https://freight.cargo.site/w/905/i/811ec9341ee2447119f88c6f84b4407861bdc64c60dcbabd5580f50ae1c34734/1_905.jpg" /&#62;&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/38f65f88d372e44b0ac43903adb51028e113abc2abf18d446deb527b6698f79a/2_1400.jpg" data-mid="72793382" border="0"  src="https://freight.cargo.site/w/1000/i/38f65f88d372e44b0ac43903adb51028e113abc2abf18d446deb527b6698f79a/2_1400.jpg" /&#62;&#60;img width="1600" height="1477" width_o="1600" height_o="1477" data-src="https://freight.cargo.site/t/original/i/f4441adb95405425af30b60c9fb04470425429415374c49f13499257a24d701b/3_1600.jpg" data-mid="72793383" border="0"  src="https://freight.cargo.site/w/1000/i/f4441adb95405425af30b60c9fb04470425429415374c49f13499257a24d701b/3_1600.jpg" /&#62;


1 Ammos Plains - Petreai (Αμμουδιά - Κοτρώνια)(translation not available)ὁ πλάνης, βρίσκεται εἰς τὴν πολίχνη, τὸν νέον οἰκισμόν τῆς νήσου ἀνάμεσα εἰς τὰς κατοικίας, καὶ τοὺς ἀγρούς.Ἀνάμεσα εἰς τοὺς τελευταίους σποραδικοὺς οἰκίσκους τῆς πολίχνης, ἐπάνω στοὺς βράχους, καθὼς ἀνηφόριζε νὰ φθάσῃ εἰς τὴν κορυφὴν τοῦ ὑψηλοῦ πετρώδους λόφου, τοῦ ἀντικρύζοντος ἐξ ἀνατολῶν τὴν πολίχνην, καὶ ὁπόθεν μελαγχολικὸν πίπτει τὸ βλέμμα ἐπὶ τοῦ μικροῦ κοιμητηρίου, ὁρμώμενος εἰς τὴν κατασκευὴ τῆς ὁμοιάζουσας πολὺ μὲ ἀμπέλι.[...εκεί, εις τὰ Κοτρώνια, μὲ τὰς τρεῖς γραφικὰς κορυφάς των τὴν μίαν κατόπιν τῆς ἄλλης, τὰς ἐπιστεφομένας ἀπὸ ἀνεμομύλους καὶ μικρὰ λευκὰ καλύβια καὶ σπιτάκια, ἕρποντα γύρω των. Τώρα πλέον ἔφθασεν εἰς μέρος ὅπου ἄρχιζαν ἀμπέλια, ἀγροὶ μὲ ὀπωροφόρα δένδρα, ὅσον ἦτον ἀκόμη πλαγινὸς ὁ ἀνήφορος, καὶ ἐλαιῶνες, ἢ ἀγροὶ μὲ ὑψηλοὺς στάχυς, σειομένους ἀπὸ τὴν νυκτερινὴν αὔραν, ἐκεῖθεν, ὅπου ὁ ἀνήφορος καθίστατο ἀποτομώτερος, καὶ ἄνω.](Ἡ Φόνισσα, ΙΒ´)



&#60;img width="905" height="905" width_o="905" height_o="905" data-src="https://freight.cargo.site/t/original/i/43f25a190a7c740d3eea5266969e295b89464f0c4e731db272fcb584f5298808/4_905.jpg" data-mid="72793384" border="0"  src="https://freight.cargo.site/w/905/i/43f25a190a7c740d3eea5266969e295b89464f0c4e731db272fcb584f5298808/4_905.jpg" /&#62;

&#60;img width="1500" height="572" width_o="1500" height_o="572" data-src="https://freight.cargo.site/t/original/i/53fa0be72b0737e41713d653f7843013d3bbb4c65be4e61e04ba2aaec98732fa/5_1500.jpg" data-mid="72793385" border="0"  src="https://freight.cargo.site/w/1000/i/53fa0be72b0737e41713d653f7843013d3bbb4c65be4e61e04ba2aaec98732fa/5_1500.jpg" /&#62;

2 Monk’s Cemetery (Κοιμητήριον τῶν Καλογήρων(translation not available)[...ἔφθασεν εἰς τὸν μικρὸν ναΐσκον τῆς Ζωοδόχου Πηγῆς, εἰς τὸ Κοιμητήριον τῶν Καλογήρων, εἰς τ᾽ Ἁλώνι τοῦ Μοναστηριοῦ...] (Ἡ Φόνισσα, ΙΣτ´)[ἀνῆλθεν εἰς τοὺς κήπους] (Ἡ Φόνισσα, ΙΣτ´)μετά τήν ἔντονην σωματικήν κόπωσιν, ἀφού ἐσκαρφάλωσεν εἰς τὸν τόπον μὲ τὸ ποδήλατο του, ἠθέλησεν κάπως να ξεκουρασθῇ. Τὸ ἣρεμον τοπίον, τοὺ ἐγέννησε μίαν ἐπιθυμία διὰ νὰ ξαποστάσῃ καὶ νὰ χαθῇ εἰς τοὺς συλλογισμούς του πρὸς ὥραν.ἐκατηφόρισεν ἀκόμη, καὶ ἐχάθην εἰς τὴν τομήν τοῦ ἐδάφους, ἡ ὁποία μόλις ἀνεῖχε τέσσερις ὀργυιᾶς ἀπὸ τοῦ ἐδάφους.ἐκεῖ ἡσύχασε, ἔμεινεν ὁλομόναχος μὲ τὶς σκέψεις καὶ τὶς ἀναμνήσεις του.ἐνύσταξε ἄξαφνα ὡς νὰ ὑπνωτίσθη ἀπὸ τὴν ἔντονη θερινήν ἀτμόσφαιραν.ἔγειρε τὸ κεφάλι του πρὸς τόν τοίχον, καὶ ἀπεκοιμήθη.




&#60;img width="905" height="905" width_o="905" height_o="905" data-src="https://freight.cargo.site/t/original/i/ac295d98f5b63feef19ef51ca5b45d8ec13b079dfe32fc64841d4b7ced3b2ef2/6_905.jpg" data-mid="72793386" border="0"  src="https://freight.cargo.site/w/905/i/ac295d98f5b63feef19ef51ca5b45d8ec13b079dfe32fc64841d4b7ced3b2ef2/6_905.jpg" /&#62;

&#60;img width="1800" height="758" width_o="1800" height_o="758" data-src="https://freight.cargo.site/t/original/i/8c21f32f4dad0c2bf18403dff1492d04f864d7e1f7baa02778df7aa734bc704d/7_1800.jpg" data-mid="72793387" border="0"  src="https://freight.cargo.site/w/1000/i/8c21f32f4dad0c2bf18403dff1492d04f864d7e1f7baa02778df7aa734bc704d/7_1800.jpg" /&#62;

3 North Hermitory ( Ἐρημητήριον)(translation not available)[Ἀπὸ τῆς προχθὲς δὲν εἶχε παύσει νὰ σκέπτεται τὸ ἐρημητήριον ἐκεῖνο, περὶ οὗ τοῦ εἶχεν ὁμιλήσει πρὸ τριῶν ἡμερῶν ὁ Καμπαναχμάκης. Ἦτο παλαιὸν ἀναχωρητήριον μετὰ ἐρήμου ναΐσκου, τὸ ὁποῖον ἔκειτο ἐπὶ μικροῦ θαλασσοπλήκτου βράχου, ὅστις ἀπετέλει σκόπελον ἢ μικρὸν νησίδιον παρὰ τὴν βορείαν, μικρὸν πρὸς δυσμὰς κλίνουσαν, κρημνώδη ἀκτήν, καὶ μὲ τὴν ἄμπωτιν τῶν ὑδάτων, τὸ νησίδιον ἐγίνετο μικρὰ χερσόνησος.] (Ἡ Φόνισσα, ΙΖ´ edited)Ἦτο τὴν αὐγὴν ἅμα ἔφεξεν, ἐνῷ ὁ πλάνης ἡτοιμάζετο νὰ διευθυνθῇ διὰ τοῦ συντομωτέρου δρόμου, εἰς τὸν Ἁι-Σώστην, εἰς τὸ Ἐρημητήριον. Ἔφθασεν εἰς τὸν τόπον καὶ ἀπεφάσισε νὰ κατέλθει εἰς τὸν βυθόν τῆς θαλάσσης.Ἐκατηφόρισεν ἀκόμη, πρὸς τὰ ἔγκατα τῆς γῆς μέσα ἀπὸ τὸ κυκλικόν, στενὸν καὶ σκοτεινὸν κλιμακοστάσιον, ποὺ ἦτο περὶ τὰ εἴκοσι μέτρα τὸ βάθος καὶ κατέληγεν εἰς τὴν στὰθμην τοῦ πυθμένος τῆς θαλάσσης. Μέσῳ ἑνὸς μακροῦ σωλῆνος κατευθύνθει πρὸς τὸ ἄγριον καὶ γαλανὸν πέλαγος.Ἐχάθη ὣς καταδιωκόμενος ἰχθύς εἰς τὰ βαθεία ὕδατα.



&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/55d485d0cd95adad71e1f6c1d4a06e3010814ecf8e81ed45edcd894b6002ccb4/8_1200.jpg" data-mid="72793388" border="0"  src="https://freight.cargo.site/w/1000/i/55d485d0cd95adad71e1f6c1d4a06e3010814ecf8e81ed45edcd894b6002ccb4/8_1200.jpg" /&#62;&#60;img width="1900" height="800" width_o="1900" height_o="800" data-src="https://freight.cargo.site/t/original/i/c3832f392d877252e1676eb340e480918bbda8815df75eaff931672b1be0c904/9_1900.jpg" data-mid="72793389" border="0"  src="https://freight.cargo.site/w/1000/i/c3832f392d877252e1676eb340e480918bbda8815df75eaff931672b1be0c904/9_1900.jpg" /&#62;

4 Hidden Saint ( Ἅις Γιάννης ὁ Κρυφός)(translation not available)[Ἐπάνω, εἰς τὴν κορυφὴν τοῦ ρεύματος, εἰς ἕνα ζυγὸν σχηματιζόμενον μεταξὺ δύο βουνῶν, ἀνάμεσα εἰς τοῦ Κονόμου τὰ ρόγγια* καὶ εἰς τὸν Μικρὸν Ἀνάγυρον, ἐκεῖ εὑρίσκετο ἀπὸ παλαιὸν καιρὸν τὸ ἀρχαῖον, ἔρημον μονύδριον, ὁ Ἅις Γιάννης ὁ Κρυφός. Ἦτο πράγματι κρυφός, κείμενος ὄπισθεν τοῦ μικροῦ αὐχένος, καλυπτόμενος ἀπὸ τὰ δύο βουνά, καὶ ἀπὸ πυκνὴν λόχμην. Εἴτε ἐκ τοῦ βορείου μέρους ἤρχετό τις, ὅπως τώρα ὁ πλάνης ἀπὸ τ᾽ Ἀχειλᾶ τὸ ρέμα...](Ἡ Φόνισσα, Η´)[Ὁ περίβολος καὶ τὰ ὀλίγα κελλία ἦσαν ἐρείπιον ἀπὸ πολλοῦ. Ὁ ναΐσκος ὠρθοῦτο ἀκόμη, ἀλλ᾽ ἦτον ἔρημος καὶ ἀλειτούργητος. Τὸ καθολικὸν ἐστεγάζετο ἀκόμη, ἀλλ᾽ εἰς τὸ ἅγιον βῆμα ἡ στέγη εἶχε καταρρεύσει πρὸς τὸ βόρειον, αἱ δὲ πλάκες τῆς σκεπῆς καὶ τὰ συντρίμματα εἶχον καλύψει τὸ θυσιαστήριον· ὑπῆρχε ξύλινον τέμπλον, πάλαι ποτὲ γλυπτὸν καὶ χρυσωμένον, ἐφθαρμένον καὶ δυσγνώριστον, ἀλλ᾽ αἱ εἰκόνες ἔλειπον. Αἱ ὀλίγαι τοιχογραφίαι εἶχον φθαρῆ ἀπὸ τὴν ὑγρασίαν, καὶ τὰ πρόσωπα τῶν Ἁγίων δὲν διεκρίνοντο πλέον.] (Ἡ Φόνισσα, Η´)[Μόνον δεξιόθεν τοῦ χοροῦ ὑπῆρχε μία τοιχογραφία παριστῶσα τὸν Ἅγιον Ἰωάννην τὸν Πρόδρομον μαρτυροῦντα τὸν Χριστόν· «Ἴδε ὁ Ἀμνὸς τοῦ Θεοῦ, ὁ αἴρων τὴν ἁμαρτίαν τοῦ κόσμου». Τὸ πρόσωπον καὶ ἡ χεὶρ τοῦ Βαπτιστοῦ, τεινομένη καὶ δεικνύουσα, διεκρίνοντο ὁπωσοῦν καλῶς. Τὸ πρόσωπον τοῦ Σωτῆρος λίαν ἀμυδρῶς ἐφαίνετο ἐπὶ τοῦ ὑγροῦ τοίχου.] (Ἡ Φόνισσα, Η´)Ἡ κόπωσις ἦτο μεγάλην καὶ ἔντονην, καὶ ἤρχισε νὰ νοιώθῃ τὴν ἀνάγκην ἀπελευθερώσεως και λυτρώσεως λόγῳ τοῦ ἤρεμου τόπου.Ἡ ἀτμόσφαιραν τοῦ μικροῦ καὶ ἐρήμου ναΐσκου ἦτο κατανυκτική.Εἰς τὸν ναὸν ὑπῆρχεν μία μικρὴ στέρνα. [Νὰ ἰδοῦμε, ἔχει νερό;][Πλησιάσων, ἔκυψε, καὶ εἶδεν ὅτι ἡ στέρνα ἦτον σχεδὸν γεμάτη· ὣς πέντε ὀργυιᾶς νεροῦ.] (Ἡ Φόνισσα, Θ´)Ἀμέσως ἀπεφάσισε νὰ κολυμπήσει ὡς, τὸ ὕδωρ νὰ ἐγιάτρευε τοὺς κρυφοὺς πόνους, καὶ ἡ βαθεῖα στέρνα νὰ ἐδέχετο τὴν ἐξαγόρευσιν τῶν κρυφῶν ἁμαρτιῶν του.



&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/159119e0f111fe1e75410b7c8e3c73f5298db8da2000e320ef2246a29e295eef/10_1500.jpg" data-mid="72793390" border="0"  src="https://freight.cargo.site/w/1000/i/159119e0f111fe1e75410b7c8e3c73f5298db8da2000e320ef2246a29e295eef/10_1500.jpg" /&#62;

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&#60;img width="2400" height="615" width_o="2400" height_o="615" data-src="https://freight.cargo.site/t/original/i/8b047c17e2db34576f8870a1c1ef629a47f9557a2ab9cd7d0dc6a3477c41b24f/18_2400.jpg" data-mid="72793400" border="0"  src="https://freight.cargo.site/w/1000/i/8b047c17e2db34576f8870a1c1ef629a47f9557a2ab9cd7d0dc6a3477c41b24f/18_2400.jpg" /&#62;

&#60;img width="905" height="406" width_o="905" height_o="406" data-src="https://freight.cargo.site/t/original/i/4deeca9d9b408e97be999f916dd8e0763b015a4c872a84d729a6008c8add6833/19_905.jpg" data-mid="72793401" border="0"  src="https://freight.cargo.site/w/905/i/4deeca9d9b408e97be999f916dd8e0763b015a4c872a84d729a6008c8add6833/19_905.jpg" /&#62;&#60;img width="905" height="905" width_o="905" height_o="905" data-src="https://freight.cargo.site/t/original/i/20537ca4f986104d81463f07c229a8266abcf1bf74519dbfe1d9d9b963db02e4/20_905.jpg" data-mid="72793402" border="0"  src="https://freight.cargo.site/w/905/i/20537ca4f986104d81463f07c229a8266abcf1bf74519dbfe1d9d9b963db02e4/20_905.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>ÆRC</title>
				
		<link>https://fourseas.cargo.site/ARC</link>

		<pubDate>Sat, 16 May 2020 15:54:43 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/ARC</guid>

		<description>


ÆRC–––Foteini Stamouli, Elina ThermoyanniImagine you are vacationing on an idyllic Greek island and someday whilst relaxing by the sea, you witness a floating landfill mooring near the island’s harbor. Neither an island nor a ship, this ark is a waste storage center.The ark’s route varies between winter and summer time depending on the waste’s quantity. During the summer months, it travels around the Sporades island complex, collecting all kinds of trash and providing the islands’ residents and tourists with an attraction. On the other hand, during winter period its route expands to further Greek marine areas and the Mediterranean Sea, collecting trash not only from the Sporades but also other islands and coastal areas. Then it disposes the trash into various specially designed landfills throughout the mainland.The procedure is as follows: after the ark has reached the harbor the islanders can throw their trash onto the ark or the trash can be collected by cranes and then be placed in a huge stomach-like dumpster. Underwater trash collection can be achieved with giant leg-like magnets and vacuums that transfer and suck respectively the trash into the giant belly.

&#60;img width="905" height="437" width_o="905" height_o="437" data-src="https://freight.cargo.site/t/original/i/b4b80b13c27dc7935b7b41c6f071783bc1f8bd072357877fe527608bda9baa98/1_905.jpg" data-mid="72794708" border="0"  src="https://freight.cargo.site/w/905/i/b4b80b13c27dc7935b7b41c6f071783bc1f8bd072357877fe527608bda9baa98/1_905.jpg" /&#62;


&#60;img width="905" height="325" width_o="905" height_o="325" data-src="https://freight.cargo.site/t/original/i/43ca51b97fb76c4ee56c028a62f7e2b7f7d54da0d24a3f9414adb087dd644569/3_905.jpg" data-mid="72794710" border="0"  src="https://freight.cargo.site/w/905/i/43ca51b97fb76c4ee56c028a62f7e2b7f7d54da0d24a3f9414adb087dd644569/3_905.jpg" /&#62;

&#60;img width="905" height="540" width_o="905" height_o="540" data-src="https://freight.cargo.site/t/original/i/bc491ca109e9b92034cc77a27acf26a19b7683755d4d8685acc5e7c94c0c550c/4_905.jpg" data-mid="72794712" border="0"  src="https://freight.cargo.site/w/905/i/bc491ca109e9b92034cc77a27acf26a19b7683755d4d8685acc5e7c94c0c550c/4_905.jpg" /&#62;

&#60;img width="1200" height="513" width_o="1200" height_o="513" data-src="https://freight.cargo.site/t/original/i/04dd23d00ad23eac2c6fa6221576801e5fec3b1fbabc49da1742c4d553055dcb/5_1200.jpg" data-mid="72794713" border="0"  src="https://freight.cargo.site/w/1000/i/04dd23d00ad23eac2c6fa6221576801e5fec3b1fbabc49da1742c4d553055dcb/5_1200.jpg" /&#62;

&#60;img width="905" height="543" width_o="905" height_o="543" data-src="https://freight.cargo.site/t/original/i/e52f6ddb884491e88a24e7d6ed54c39cde5af7f7de63e4f123ad1a87ff108b85/6_905.jpg" data-mid="72794714" border="0"  src="https://freight.cargo.site/w/905/i/e52f6ddb884491e88a24e7d6ed54c39cde5af7f7de63e4f123ad1a87ff108b85/6_905.jpg" /&#62;

&#60;img width="905" height="598" width_o="905" height_o="598" data-src="https://freight.cargo.site/t/original/i/e6a7f269101a5984db94bec7f6b1efee1c1403c81fcebe4b52e91acda72e53f0/7_905.jpg" data-mid="72794715" border="0"  src="https://freight.cargo.site/w/905/i/e6a7f269101a5984db94bec7f6b1efee1c1403c81fcebe4b52e91acda72e53f0/7_905.jpg" /&#62;

&#60;img width="905" height="548" width_o="905" height_o="548" data-src="https://freight.cargo.site/t/original/i/ac9e8c8a603372d7578c472839859c00659fa86bd8ae3dbf7e1422498a833889/8_905.jpg" data-mid="72794716" border="0"  src="https://freight.cargo.site/w/905/i/ac9e8c8a603372d7578c472839859c00659fa86bd8ae3dbf7e1422498a833889/8_905.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Therapeuein</title>
				
		<link>https://fourseas.cargo.site/Therapeuein</link>

		<pubDate>Sat, 16 May 2020 16:01:35 +0000</pubDate>

		<dc:creator>four seas</dc:creator>

		<guid isPermaLink="true">https://fourseas.cargo.site/Therapeuein</guid>

		<description>

Therapeuein–––Stefania Voulgari, Zografia ZaraveliThe Diapontian Islands, although are a quiet destination for relaxation, are not characterized by large numbers of tourism. Also, some of the uninhabited islands belong to the Diapontian Islands. Combining the two above, we decided to use two of the uninhabited islands, Diaplo and Diakopo between Corfu and Mathraki, to develop a program that will attract both a specific group of people and tourists. The basic idea, then, is the therapy and rehabilitation of people suffering from various illnesses and injuries, as well as psychotherapy and entertainment for people who are extremely healthy. The largest of these two islands includes therapeutic functions such as massage, hydrotherapy, horse therapy, and lunch, while the smaller island contains accommodation for visitors to the island. The two islands are connected by a bridge. Diakopo has a port that welcomes guests.The area of hydrotherapy is underground. Includes a variety of swimming pools, individual or group massages, saunas, and aromatic baths. The area is illuminated by large skylight with gardens inside.The accommodation units are connected by a covered corridor. In the gaps between the accommodation units there are crops that can be consumed by guests throughout their stay there. From this route you can access a beach.



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